- #BLUEFX MINI VIRTUAL STUDIO SET TUTORIAL HOW TO#
- #BLUEFX MINI VIRTUAL STUDIO SET TUTORIAL PROFESSIONAL#
You'll need to be the type of person that can focus their efforts, and enjoy all aspects of running a business." Be prepared to do a bit of everything, not just what you love. Our team is multi-skilled and we love using all our skills to create we make CGI, we shoot elements, make equipment, we prototype physical ideas, 3D print and develop props, help design sets, build characters, design camera rigs and loads more," states Haggar.įor those considering a venture similar to Haggar's, he has some sage advice: "It's hard work and you have to work smart. "We're a creative problem-solving company, solving story-driven challenges. The unfortunate side effect of having a niche is becoming pigeonholed, something Lexhag combat by consistently learning and experimenting with new techniques or technologies. Having a niche and doing something very well, that you can repeat, means you can create a more sustainable business."įrom once being a luxury, CGI has now become a staple in television and films He continues: "It's a hugely competitive market, so anything that makes you stand out is good. It was this that led it to work on their first television series, Charlie Brooker's Dead Set.
#BLUEFX MINI VIRTUAL STUDIO SET TUTORIAL HOW TO#
"Obviously, knowing how to produce VFX shots and having a reliable core skill is also essential, and when you win your first job you'll more than likely be hiring others to work with you, and building a team."Įarly on Lexhag's reputation was built on projects that combined practical and digital effects, as well as Haggar's keen interest in the horror genre. My journey was about knowing the filmmakers and working with them to create their visions."
"If anything, I had more of a round view of the industry. Focus on your nicheĪ bustling studio can wait, the first steps involve starting smallĭespite not having a wealth of experience in the VFX industry, Haggar maintains that his combined experience gave him a unique edge. From there he spent the entirety of his savings on the rental of a small basement in Soho. "I worked with him for a few years, gaining lots of knowledge and experience in both areas and shortly after a brilliant stint of work with him, I decided it was time to set up Lexhag," says Haggar. Haggar continued to progress his career in SFX until he met Paul McGuinness, a BBC visual effects veteran known for work across practical and digital effects.
#BLUEFX MINI VIRTUAL STUDIO SET TUTORIAL PROFESSIONAL#
At school, I had created my Art A-Level final piece in 3D animation, so I was kind of already up to speed with some of the professional software." Regularly we'd talk about how CG would take over the FX industry altogether. "It was around the time that CGI was becoming more mainstream, no longer a luxury but a necessity for many productions. "Up until that point, I'd graduated from film school and landed in the special effects industry," he explains. It was a slightly different journey for Alexis Haggar when he founded his VFX studio Lexhag in 2009. Lexhag also makes equipment, 3D prints props, helps design sets, builds camera rigs and more
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